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SKELETON AT THE BANQUET

by The Horror Club

supported by
maikimo
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maikimo Becasue it was made by two fucking legends.
The singing is amazing and the work the producer did is unparalleled. Truly a masterpiece.

Cant be a Sad boy when listening to this! Favorite track: sad boys.
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1.
sleepwalking 04:10
sleepwalking hollow dreams that never reach an end fall to pieces, stop, form again hold out hands that can`t grasp the reins pass through me, ghost, and fade away stop, stop, stop, well, I’m spilling out it`s not running dry that I`m worried about start shining lights, flashing brights, broken sights, turning right no time but now is why we always give up, and stop, stop, stop from filling up holes it`s more than just change that’s taking its toll keep losing nights, climbing heights, taking bites, maybe, might feel alive once we figure it out figure it out stop, stop, stop from thinking these thoughts it`s never the answers that are tied up in knots quit counting days, planning ways, slow decay, hard to say no rhyme or reason why I exist at all so stop, stop, stop I`m already there no more to take off, I, I`m laying so bare what comes what may, on display, impasse, swerve and sway over the edge once we`ve figured it out figured it out
2.
sad boys 03:06
sad boys what`s the worst thing that you want to hear? it must be something that we can’t say you`re small enough for this big, big world this big, big world, this big, big world it`s not dancing if you have to pay mind your business and be on your way mind your business and be on your way words, like knives, they cut right through you sanitized, you grew up into a sad boy what’s been said can`t be unsaid but what has hurt can be forgiven you`re small enough for this big, big world this big, big world, this big, big world no scars to show where you`ve been it’s not over till you give in it`s not over till you give in words, like knives, they cut right through you sanitized, you grew up into a sad boy, and that`s a fact words, like knives, they cut right through you sanitized, you grew up into a sad boy paralyzed, in us confide we tell you things and hope you hear, but words, like knives, they cut right through you sanitized, you grew up into a sad boy, and that`s a fact words, like knives, they cut right through you sanitized, you grew up into a sad boy, and that`s a fact
3.
...i guess its not the end of the world all on fire, doused in flames don`t feel like walking so you take a train locked in glass, locked in frame spread out on carpets in the rain feeling, feeling, feeling, feeling, feeling lost incantations passing just an inch away call for contact, call for pain step inside of a warped terrain judge the distance, push to strain with no words to explain feeling, feeling, feeling, feeling, feeling lost incantations passing just an inch away forsaken souls are waking up all that is was all that is forsaken souls all that is was all that is wait! get up!
4.
tension 02:59
tension spend it but can`t spend enough feel the tension the worlds full of minds made up i feel the tension we don`t have the right to complain cause we never, never, never broke off of these chains so pay up save it but can`t save enough i feel the tension can`t take it when your time is up i feel the tension we don`t have the right to complain cause we never, never, never broke off of these chains so pay up we don`t have the right to complain cause we never, never, never broke off of these chains so pay up just a fragment of what we`re part of just a fragment of just a fragment of what we`re part of just a fragment of we don`t have the right to complain cause we never, never, never broke off of these chains so pay up we don`t have the right to complain cause we never, never, never broke off of these chains so pay up
5.
denwa suru 01:53
6.
every spring i feel sick in the head mountains rise above the sea to deep canyons where the darkness bleeds into daylight behind the hanging moon oceans, where the shadows loom get low up is up, low is low my brain hurts, decides where to go existence begs the question why from the abyss came wide-open eyes blind to solace within the whole, apart sorrows just begin to start get low up is up, low is low my brain hurts, decides where to go up is up, low is low my brain hurts, decides where to go up is up, low is low my brain hurts, decides where to go
7.
koenji cats 03:18
koenji cats mad stray cat, running from the robots neon signs light the way of no return short cut dress, pressed down baseball cap, dirty knees passing by the shop again opened eyes, black and white is all I see, but it`s not enough to wonder why find my space and listen to the sounds they`re making it`s such a funny place to lie this night, you know it can’t break me this night, you know it can`t break me got nine lives to go counting lanterns, swaying in the wind, zigzag streets burning candles everywhere in the rain, umbrellas bloom, sprout into pale transparent mushrooms overhead opened eyes, black and white is all I see, but it`s not enough to wonder why find my space and listen to the sounds they`re making it`s such a funny place to die this night, you know it can’t break me this night, you know it can`t break me got nine lives to go
8.
collide 03:00
collide quit pretending all this is splendid time to spend it, break down and blend it up until these realities pistol whip you, push and hit you draws a boundary line how could it come to these interactions in chaos? we collide and they split off in two how could it come to this? losing sight of what’s inside us nothing but the thoughts we have are true modern ways of double entendre will it faze you when bullets graze your skin? and that`s precisely what it is to be or not to be, speak plainly now how could it come to these interactions in chaos? we collide and they split off in two how could it come to this? losing sight of what’s inside us. nothing but the thoughts we have are nothing but the thoughts we have are nothing but the thoughts we have are nothing but the thoughts we have are true

credits

released September 4, 2019

charles - vocals / guitars
kyle - guitars / bass / keys

all music written by the horror club.
band photography by grace milliken.
℗ & © 2019 the horror club.

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The Horror Club Tokyo, Japan

The horror Hall & Oates !

The Tokyo duo formed as a middle ground between the indie pop stylings of vocalist, Charles C and the grim punk sounds of producer, Kylo Yen.

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